ALLEGIANCE Director Stafford Arima and Observer Makiko Shibuya

SDCF Observership Program

Applications for 2017-2018 are now CLOSED.

The Observership Program provides early to mid-career directors and choreographers paid opportunities to observe the work of master directors and choreographers as they create productions on Broadway, Off-Broadway and at leading regional theatres across the country. SDCF Observers may have access to the entire rehearsal process from first rehearsal through opening night.  Observers will have the invaluable opportunity to observe first-hand the techniques, disciplines, approaches and insights of master artists as they create new productions and revive classics.  In addition to Observership opportunities provided through SDCF, members of the Observership class are also eligible to apply for the Kurt Weill Fellowship and the Shepard and Mildred Traube Fellowship.

Master artists in 2016-2017 included Kwame Kwei-Armah, Daniel Aukin, Karen Azenberg, Josh Bergasse, Anne Bogart, Joe Calarco, Lear deBessonet, Marcia Milgrom Dodge, Mike Donahue, Timothy Douglas, Spencer Liff, Art Manke, Emily Mann, Robert O’Hara, Carey Perloff, Susan Stroman, Daniel Sullivan, Eric Ting, Liesl Tommy, Daniella Topol, and Christopher Windom,

Each Annual Observership Class is vetted through evaluation by seasoned theatre professionals.  While members of the Observership class are not guaranteed placement on a production, they will be invited to participate in other SDCF programs and special events throughout the year, including special Observership Class networking events, all of which are free of charge.

APPLY: Applications to the 2017-2018 Observership program are now CLOSED. There is a $25 application fee. Current SDC Members and Associates may apply for free — fee waiver information will be supplied upon submission of your application.

STIPEND: Each Observership opportunity offers Observers a weekly stipend of $250 and a project travel stipend. In addition, any Observer who is not already a Member of SDC will be awarded a free one-year SDC Associate Membership.

I only wish every director could be presented with the experience I had.  I thank you from the bottom of my heart for the huge leap I have taken in my personal artistic development because of this experience.– Observer Javier Molina

SDCF’s Observership Program is made possible by generous support from the National Endowment for the Arts, New York State Council of the Arts, Stage Directors and Choreographers Society, and many generous individuals and corporations.

Congratulations to the 2016-2017 Observership Class!

Cristina Angeles
Eliza Baldi
Jessica Bashline
Matt Bassett
Georgina Bates
Lila Becker
Paul Bedard
Sydney Berk
Barbara Bernardo
Christopher Betts
James Blaszko
Lyndsay Burch
Kelsey Burns
Brandon Butts
Stephanie Card
Juan Castaneda
Sean Cawelti
Katie Chidester
Allison Ciuci
Adriana Colon
Victoria Collado
Julia Cuppy
Jennifer Curfman
Genevieve de Mahy
Benita de Wit
Jennifer Delac
Alexis DeVance
Ryanne Domingues
Nike Doukas
Kareem Fahmy
Renana Fox
Drew Franklin
Joseph Galda
Dianna Garten

Katherine George 
Jamey Grisham
Melyssa Hall
Allyson Harkey
Angela Harris
Camille Hayes
Eileen Hou
Colleen Hughes
Chika Ike
Roberta Inscho-Cox
Thomas Kapusta
Ilana Khanin
Seonjae Kim
Rachel Klein
Shannon Knapp
Jacqueline Knollhuff
Rhonda Kohl
Deborah Kondelik
Megan Kosmoski
David Kote
Gabrielle Lamb
Brad Landers
Heather Lanza
Katie Lindsay
Ivey Lowe
Sarah Lozoff
Sharrell Luckett
Jason Luks
Penny Maas
KC MacMillan
Clay Martin
Robyne Martinez
Kristina McCloskey
Marina McClure

Katie McLaughlin
Kellie Mecleary
Eric Mercado
Robert Moore
Rachael Murray
Emily Naylor
Spencer Neiman
Henry Nettleton
Mara Newbery Greer
Brenna Nicely
Ann Noling
Rani O'Brien
Caitlin O'Connell
Nick O'Leary
Ibi Owolabi
Susan Padveen
Kevin Paley
James Palmer
Nichole Palmietto
Fernando Parra Borti
Alex Perez
Sarah Plotkin
Joya Powell
Stephanie Prugh
Danielle Puretz
Nirvania Quesada
Sara Rademacher
Alexandra Randrup
Claire Reinhart
Seth Rettberg
Randy Reyes
Luis Reyes Cardenas
Angelica Rivera
Jesse Robb

Dan Rogers
Alexa Roman
Jon Royal
Natalie Malotke
Keelie Sheridan
Marc Atkinson
NJ Agwuna
Lana Russell
Kate Russell
Kholoud Sawaf
Julia Sears
Noam Shapiro
Clinton Sherwood
Jess Shoemaker
John Skufca
Arianna Soloway
Tyler Spicer
David Strickland
Jay Stull
Suzi Takahashi
Susan Toni
Leta Tremblay
Evan Tsitsias
Moema Umann
Ansley Valentine
Xanthia Walker
Sophia Watt
Christine Weber
Emma Went
Rebecca Willingham
Michael Witkes


I only wish every director could be presented with the experience I had.  I thank you from the bottom of my heart for the huge leap I have taken in my personal artistic development because of this experience.

Javier Molina, Observer

My fellowship experience was nothing short of extraordinary. While there were, indeed, specific musical and arena-style directorial techniques I acquired in the course of the process too numerous to remark upon in this brief report, I truly believe the greatest value of the fellowship had everything to do with my interaction with Artistic Director, Molly Smith.

Robert Barry Fleming, Abbott Fellow

There is no criticism I could possibly make of the SDCF Observership Program.  It provided me with an unmatchable set of circumstances where I could not only witness a master (Susan Stroman) in the field I’m embarking upon, but also learn from a bevy of other aspects of the craft I did not foresee. My experience was, in short, life-changing.

Courtney Self, Observer

Though I am no stranger to working on a new Broadway production from the very beginning of its creation, George (Wolfe) has an original formula and personal style that is all his alone.  Week one was spent entirely at the table reading the script!!  This was very alarming to me, but George seemed completely in charge and at ease.   As week two began, however, the payoff from all the reads and conversations was enormous.  The actors on their feet had such power of information in their beings that playing off each other and following George’s blocking instructions was simple.  A very new and insightful way of approaching material, one that I had never seen or experienced before.

Tome’ Cousin, Ockrent Fellow

Structured mentorship of this kind – working independently and with direct feedback – is the strongest way for me to hone my skills and continue to grow as an artist, and I couldn’t have designed or asked for a better opportunity than the one I had.  Working with Sharon (Ott) taught me several thousand more of the hundred thousand things you can only learn by doing.

Andy Ottoson, Observer

This gave me the necessary reminder to keep pursuing the kind of work I value.  I was reminded that a passion for the impossible onstage and a love for virtuosic play can come together fruitfully to tell an engaging story in the form of a singular live event inclusive of its audience.

Mia Rovegno, Observer

Watching Leigh (Silverman) work did many things for me:  it inspired me to be a better director, it validated certain aspects of my directing style that I might have questioned before, it taught me restraint, it taught me to be an amazing listener.  It gave me the encouragement I needed to forge ahead.

Kenny Howard, Observer

I learned from Sam Gold that what you don't say as a director can often be just as important as what you do say. I learned the value of not just identifying truth in an older text as it relates to us now, but the way in which we manifest that truth through the actor's understanding of their craft—simple but vital things like pace and hitting rhythms. All of this knowledge has enhanced my artistic growth, and improved my directing craft.

Jenna Worsham, Observer

SDCF Observership Video dir. by Jonathon Musser