Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Select Page

About Lloyd Richards

Lloyd Richards with his Tony Award for Best Direction for Fences, 1987. PHOTO c/o the Lloyd Richards Estate (Lloyd Richards Papers, Yale University).

Lloyd Richards (1919 – 2006) was born in Toronto and raised in Detroit. He entered Wayne University (now Wayne State) intending to become a lawyer, but due to a love of theatre, became a speech major. He joined the Army Air Corps in 1944 during World War II and earned his pilot wings at Tuskegee. After the war, he acted in two semiprofessional theatres in Detroit that he helped create, worked as a radio disc jockey, and was employed as a social worker for the Welfare Department. He moved to New York City in 1947, and worked as an actor in radio, Off-Broadway, and eventually Broadway. In 1956, his friend and former student Sidney Poitier enlisted him to direct A Raisin in the Sun by Lorraine Hansberry. It went on to artistic and commercial success on Broadway, and Richards became the first Black director nominated for the Tony Award for Best Direction.

He was a founding member of the Stage Directors and Choreographers Society (SDC) in 1959, and its President from 1970 to 1980. From 1968 until 1999, he headed the National Playwrights Conference (NPC) at the Eugene O’Neill Theatre Center, where he developed the work of John Guare, Derek Wolcott, Wole Soyenka, Israel Horovitz, Wendy Wasserstein, Christopher Durang, David Henry Hwang, John Patrick Shanley, Lee Blessing, Doug Wright, and Adam Rapp, among hundreds of others. In 1979, he was named Dean of the Yale School of Drama and the Artistic Director of Yale Repertory Theatre, where noted productions include three premieres by Athol Fugard. Richards went on to direct six new plays by Wilson while creating a vertically integrated developmental process that brought those plays from the O’Neill to Yale through a tour of regional theatres, culminating in premiere commercial productions on Broadway. This process proved so successful that during the 1987-1988 Broadway season, four plays he either directed or produced were running simultaneously. Richards won the Tony Award for Best Direction for August Wilson’s Fences in 1987 and the National Medal of Arts in 1993. He died on June 29, 2006, his 87th birthday.

Stay Updated: Join Our Social Media Family!

Discover the latest updates, exclusive content, and vibrant community interactions – follow us today and be part of the conversation!