Customize Consent Preferences

We use cookies to help you navigate efficiently and perform certain functions. You will find detailed information about all cookies under each consent category below.

The cookies that are categorized as "Necessary" are stored on your browser as they are essential for enabling the basic functionalities of the site. ... 

Always Active

Necessary cookies are required to enable the basic features of this site, such as providing secure log-in or adjusting your consent preferences. These cookies do not store any personally identifiable data.

No cookies to display.

Functional cookies help perform certain functionalities like sharing the content of the website on social media platforms, collecting feedback, and other third-party features.

No cookies to display.

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics such as the number of visitors, bounce rate, traffic source, etc.

No cookies to display.

Performance cookies are used to understand and analyze the key performance indexes of the website which helps in delivering a better user experience for the visitors.

No cookies to display.

Advertisement cookies are used to provide visitors with customized advertisements based on the pages you visited previously and to analyze the effectiveness of the ad campaigns.

No cookies to display.

Select Page

One-on-One Conversation with Liesl Tommy and Stephanie Ybarra

THE MORE THINGS CHANGE
Shifting the Narrative on Who Gets to Lead

Large nonprofit theatres across the U.S. are experiencing a sea change of transition in their artistic leadership posts. Today, only about 25% of those posts are held by women, and fewer still by people of color. What are the root causes from a practicing artist standpoint? How will the theatre industry move beyond just planning for diversity, equity, and inclusion, towards implementation of these values? And when will it be reflected in the field’s highest and most prominent positions? Join SDCF Executive Director David Roberts as he sits down with director Liesl Tommy and artistic producer Stephanie Ybarra as they explore the intersections of women, people of color, and leadership in American theatre and discuss how they are actively changing the game. This One-on-One is presented in association with Dramatists Guild of America.

___________

ARTISTS BIOS

LIESL TOMMY is a Tony-nominated and Obie/Lortel award-winning director whose recent Broadway production of Danai Gurira’s Eclipsed starring Lupita Nyong’o garnered 6 Tony® nominations. Liesl made history as the first woman of color ever to be nominated for the Tony® award for Best Director of a Play. She also recently made her TV directorial debut with Ava Duvernay’s show “Queen Sugar” on Oprah’s network OWN. Off-Broadway credits include: Vineyard Theatre/Signature Theatre (VA): Kid Victory; Public Theater: Eclipsed, Party People, The Good Negro; Signature Theatre: Appropriate (Obie Award). Liesl has also directed Disney’s Frozen LIVE at the Hyperion Theater as well as various productions at Canadian Stage, Luminato Festival, Huntington Theater, LA Jolla Theater, Woolly Mammoth, Baltimore Center Stage, Dallas Theater Center, OSF, Berkeley Repertory, Shakespeare Theater, CATF, Yale Repertory, California Shakespeare Theater, La Jolla Playhouse, and Trinity Repertory. Awards include: Obie Award; Lucille Lortel Award; The Lee Reynolds Award; Pioneer of the Arts Award; Lillian Hellman Award; Alan Schneider Award; NEA/TCG Directors Grant; and the inaugural Susan Stroman Award from the Vineyard Theatre. Liesl is a Program Associate at The Sundance Institute and Associate Artist at Berkeley Repertory. Liesl is a proud native of Cape Town South Africa.

STEPHANIE YBARRA is an artistic producer currently putting her skills to work as Director of Special Artistic Projects at The Public Theater, where she leads the Mobile Unit and Public Forum programs. Additionally, Stephanie serves as the Producer’s Lab Liaison for the WP Theater, and as Curator and Casting Director for Two River Theater’s Crossing Border’s Festival of Latinx plays. She has served as Producing Director for Playwrights Realm and Producing Artistic Director for the Cherry Lane Theater’s Mentor Project. Her awards include the inaugural Producer’s Chair Award from the Foundry Theatre, the Josephine Abady Award for producing from New York’s League of Professional Theatre Women, the Congressional Award for Achievement in Excellence from Zara Aina, an international nonprofit dedicated to community-engaged artmaking. Stephanie holds an MFA from Yale School of Drama, and a deep belief in the power of the post-it note.

 

Stay Updated: Join Our Social Media Family!

Discover the latest updates, exclusive content, and vibrant community interactions – follow us today and be part of the conversation!